Barangaroo and the Four Thousand Fish

Posted on by Dr Zuleyka Zevallos
Two people walk along the foreshore. In the background, other groups gather at the pier taking photos and looking around, while others are near a giant vessel. The sun shines brightly as it sets over the water

My Weekends With A Sociologist series is going to start coming to you more frequently and completely out of sequence. I will share with you my visual sociology adventures from different places, at different points in time, showing you what has captivated my sociological imagination most recently, through to what has lingered with me over time. The purpose of this series is to showcase what it is to see the world through a sociological lens. (For visually impaired readers, descriptions in the alt.) So let’s get started!

What better way to restart our journey, than with the enduring legacy of a strong Aboriginal woman, Barangaroo.

Beginning in the first week of January, Sydney annually hosts the Sydney Festival, with various sites around town housing performances, public art and sculptures, including many interactive installations. The best this year was the artwork, Four Thousand Fish, curated by Emily McDaniel, artist from the Kalari Clan of the Wiradjuri nation in Central New South Wales. The artwork blends sea song, visual story telling, sound, lighting, sculptures, landscape photography, music and of course, a beautiful nawi (bark canoe).

Held at the Cutaway in Barangaroo, every weekend this past January, the site was transformed into a public art sculpture that was set ablaze nightly at dusk. I attended an event hosted by the beloved street photographer, Legojacker (formerly from Melbourne, they had moved to Canberra in recent months).

Barangarro is named after the mighty Cammeraygal woman of the Eora nation, who defied colonialism in Gadigal, her homeland (also known as Sydney).

Continue reading Barangaroo and the Four Thousand Fish

Colonial Sugar

Posted on by Dr Zuleyka Zevallos

“Colonial Sugar,” Tracey Moffatt and Jasmine Togo-Brisby, exhibition at the City Gallery Wellington. From 1863 to 1904, the Queensland government in Australia enslaved at least 62,000 people from the Pacific to fuel production in its prosperous sugarcane plantations. Continue reading Colonial Sugar

Mervyn Bishop

Posted on by Dr Zuleyka Zevallos

Mervyn Bishop, a Murray man, was the first Aboriginal person to work at a major metro daily newspaper, joining the Sydney Morning Herald in 1962. In 1971 he was named Australian Press Photographer of the Year. He would go on to cover major events, including the anti-war protests of the 1960s, the Bicentennial in 1988, and Aboriginal community life in remote regions of Australia. Continue reading Mervyn Bishop

Australia’s Unfair and Inhumane Refugee Policies

Posted on by Dr Zuleyka Zevallos
Untitled (refugee girl) by Mohammed. Via Safdar Ahmed and the Refugee Art Project

Whilst in London a couple of years a go, I came across a sign which reads, “Begin your dream today, emigrate to Australia!” (see below). A warm invitation indeed: unless of course you are an asylum seeker – in which case our Government will revoke this welcome and abscond its responsibility to the United Nations Convention Convention relating to the Status of Refugees.

Since 2001, the Australian government has passed several laws that allow the detention of asylum seekers in offshore centres located on the islands of Nauru and Manus. This was first established by excising islands from Australia’s territory; attempting to pay off people smugglers; and a series of other policy changes known as the “Pacific Solution.” In the first seven years of the scheme, over 1,600 people were held in detention. They arrived predominantly from Afghan, Iraqi and Sri Lankan backgrounds. While this program was initially wound back by 2008, it was reintroduced in 2010. Offshore detention reached its peak in 2014, with over 2,400 people held in detention centres, including 222 children. At the end of March 2016, almost 1,000 people remained in Manus and up to 1,200 people on Nauru.

These actions contravene international law, with our “paltry commitment to the Refugee Convention” deemed one of the worst in the world. Detention makes little sense, given that 90% of cases are found to be “genuine refugees.” The majority of asylum seekers have been in detention for at least two years. Even after they were released into the community, they were initially not allowed to work.

In 2014, the Government offered migrants up to $10,000 to go back home to face certain persecution; a scheme that was resolutely condemned by human rights experts. The Government simultaneously cut legal aid to refugees, making it even harder for them to receive informed support.

The ensuing health damage suffered by asylum seekers is woefully inhumane. Australia’s humanitarian program has been criminally pared back, along with our collective morality. We must not accept this unfair system in the name of so-called “Australian values.”

In London, emigrate to Australia sign is in the foreground, and people walk in the background
Your bridge to Australia. Your bridge to Australia. Begin your dream today.

Continue reading Australia’s Unfair and Inhumane Refugee Policies

Yabun Festival 2017

Posted on by Dr Zuleyka Zevallos

Djiringanj Dancers, a group of women cultural performers, singing about the “West Wind” at the Corroboree grounds, during the Yabun Festival.

The Yabun Festival is a celebration for Survival Day. The 26 of January is a national holiday that marks the day British ships arrived in Australia and began the genocide of Indigenous Australians. Survival Day is a day led by Indigenous Australians who affirm the resilience, creativity and excellence of First Australians. This year, the Invasion Day Protests, which aim to change the date and meaning of Australia Day, ended by protesters joining Yabun at the end of the march to enjoy music, stalls, cultural performances, speeches and more.

Continue reading Yabun Festival 2017

Sociology of the National Arboretum

Posted on by Dr Zuleyka Zevallos
Playground at the National Arboretum Canberra

One of the themes of my visual sociology is the representation of science. Conservation is as much about social practices as it is about earth science, biology and other natural sciences. Today’s post is about the sociology of the National Arboretum, which sits on Ngunawal country. Ngunawal people are the traditional custodians of this part of Acton, west of the city in Canberra. Less than a seven minute drive central business district, this is one of the world’s largest arboretums for rare and endangered trees. I am no arborist. I cannot even claim to be a fan of gardening. I was interested in the Arboretum first in an attempt to capture a visual sociology of Canberra, and second to see how people interact with this place as a science centre. The focus of my post today is on the social dynamics of the Arboretum, especially on community aspects of conservation and the trees that drew the greatest interest amongst the crowds I saw: the Bonsai and Penjing Collection .
National Arboretum (18)

Continue reading Sociology of the National Arboretum

Ai Weiwei: Pop Art to Protest Art

Posted on by Dr Zuleyka Zevallos

The National Gallery of Victoria in Melbourne, Australia, is currently showing an exhibition of two monumental artists, Andy Warhol and Ai Weiwei, whose work and interests often intersected, even though they were working in different eras. As Weiwei was still studying in the 1970s and early 1980s, a time when Warhol’s star was meteoric. In this post, I only focus on Weiwei’s work.

Ai Weiwei shares Warhol’s scepticism for “high art” and authority, as evidenced in his 1995 classic artwork, “Dropping a Han Dynasty Urn,” which he redid in 2015 with legos (featured in my photos below). Similarly his two installations, Chandelier with Restored Han Dynasty Lamps for the Emperor and Forever Bicycles (both 2015) make a comment on the cultural artefacts that are revered at a later point in time, even though they were once everyday household items with little value.

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Continue reading Ai Weiwei: Pop Art to Protest Art

Subverting Colonialism in Peru

Posted on by Dr Zuleyka Zevallos

Peru’s Señor de Choquekillca Festival is held in Ollantaytambo, near Cuzco (the ancient Incan city of Machu Picchu). The festival commemorates a local saint and it also represents the Inca’s mocking of the conquistadors who invaded and almost obliterated the Indigenous Quechua culture.

Writing for the Huffpost, Andrew Burmon muses that the festival comes across as a “strange” multicultural event that doesn’t match Western ideas of multiculturalism. The festival simultaneously represents an embrace of certain elements of Catholicism which are blended with Indigenous spirituality, as well as a rejection of Spanish colonialism.

In Western nations, multiculturalism takes on many contested forms, but it is usually about tolerance of cultural and religious difference as a means of social integration of minority groups. This festival in Ollantaytambo subverts this notion by recreating the history of colonialism as an act of cultural and religious rebellion. The town honours its tradition by staging people drinking outside a church as well as by having a cross procession.

The people dress up in beautifully ornate costumes as well as grotesque masks in a celebration, condemnation and reconciliation of the past.

Senor de Choquekillca is a strange sort of festival. A religious celebration in honor of a small town boy made saint that has morphed into an occasion for trans-generational venting, Choquekillca provides the citizens of the small town of Ollantaytambo with an occasion to dress up in white face and mock the conquistadors who destroyed the Inca civilization flourishing in this part of the Peruvian Andes…

That is what is great about the party: Like history itself, it doesn’t really make sense.

Peru’s Christian faith is a spoil of war, but no less genuine for being coerced. Likewise, the Incan culture is mourned despite being obviously extant. Unlike westerners, who more often than not see multiculturalism as the amalgamation of different peoples, the people of the Sacred Valley – inundated though they are by Machu Picchu-bound travelers – are multicultural on the inside, contradictions be damned.

It is hard not to love a people not only capable of holding contradictory ideas in their heads, but willing to celebrate them in concert. 

Photos via: Huffington Post.