Race, Class and the Delta Outbreak

Entrance to a supermarket. Stickers on the ground say "please stand here." Workers are busy in the background

This post explores how race and class impact media discourses of public health during the COVID-19 pandemic. Media reports have selectively focused on migrants and working class people linked to specific infection chains. Race and class are absent from media narratives involving white, middle class, and wealthy people, even when these events account for high rates of infection and trangression of COVID-19 rules. This analysis shows how inequality is reproduced and normalised through institutions, such as the media.

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The Economics and Social Costs of COVID-19

Aerial view of Sydney Customs House, a large Building at Circular Quay, Sydney

In Episode Seven of our Race in Society series—the final episode of season 1 on “Race and COVID-19″—Associate Professor Alana Lentin and I are joined by two guests to discuss The Economics and Social Costs of COVID-19. We examine the impact of the COVID-19 crisis on undocumented migrant workers, whose labour is being exploited.

The economy depends upon the work of racialised people, exposing them to higher risk due to casualised frontline services, which have kept the health system and other businesses going throughout lockdown. At the same time, racialised people are provided inadequate protections against infection, including poor personal protective equipment.

Our first guest, Sanmati Verma, is an Accredited Specialist in Immigration Law. She discusses the legal issues faced by temporary visa holders and migrants, as they lack access to economic security. Our other guest is Professor Sujatha Fernandes, who is Professor of Political Economy and Sociology at the University of Sydney. Her research explores the uses and misuses of storytelling to shape understandings of the political activism of racialised people. She discusses how “curated storytelling” narrows the public’s engagement with economic rights during the pandemic.

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Media Representations of Race and the Pandemic

Sign saying 'stop the spread' with Chinese writing. In a background is a playground

Postscript: see a companion analysis in a separate post, “Race, Class and the Delta Outbreak

In Episode 3 of Race in Society (video below), Associate Professor Alana Lentin and I lead a panel about how mainstream media create sensationalist accounts of the pandemic, and the proactive ways in which Aboriginal people and Asian people in particular lead their own responses. We spoke with Dr Summer May Finlay, a Yorta Yorta woman and Public Health Researcher at the Universities of Wollongong and Canberra. In our video below, she details how Aboriginal community controlled health organisations have effectively dealt with COVID-19 using social marketing campaigns. We also chatted with Dr Karen Schamberger, an independent curator and historian. She covers the history of Australian sinophobia (the fear of China, its people and or its culture), and how anti-Chinese racism plays out in media reports on racism and the COVID-19 pandemic.

Media and officials continue to blame racial minorities in a way that does not feature for white-majority communities, some of whom are boldly defying the lockdown. Why does this happen? Our Race in Society series provides broader cultural and historical context.

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Publication: Sexism in Science Reporting

This article was first published in DiverseScholar, on 20 April, 2015.

In my previous DiverseScholar article, I showed why the study behind The New York Times Op Ed (claiming the end of sexism) was methodologically flawed and ideologically biased [Zevallos 2014]. I showed that a focus on an individual choice narrative to explain why women are disadvantaged in STEM (Science, Technology, Engineering and Math) is fundamentally unsound when understood alongside the long-standing empirical evidence from the social sciences. Here, I will review several science controversies related to the editorial and institutional decisions within STEM. These patterns show that everyday interactions contribute to gender inequality, from the use of images, to dress, to the way distinguished women scientists are described in the media. I start with a selected timeline of events highlighting gender inequality in STEM. Continue reading Publication: Sexism in Science Reporting

Women and Girls on Film: “Inequality is Rampant”

Storify is closing and over the coming weeks, I will be migrating my posts to my blog. This is an archive of my article first published on Storify on 24 September 2014. 

In September 2014, the United Nations, the Geena Davis Institute on Gender in Media, and The Rockefeller Foundation published a study on the representation of cisgender people on film. Here I report on the major findings and include some of my related social media posts.

The study conducted by Dr Stacy Smith, Marc Choueiti and Dr Katherine Pieper included 120 globally released movies in 11 major film regions: Australia, Brazil, China, France, Germany, India, Japan, Russia, South Korea, United States, and the United Kingdom. The study included almost 5,800 speaking or named characters. The researchers find that, globally, only 31% of speaking roles in films are given to women and less than a quarter of films are centred on a woman protagonist (23%).

The study finds that girls and women are slightly better represented in the UK (38% of speaking roles), Brazil (37%) and Korea (36%). Women and girls’ representation in Germany (35%) and China (35%) is relatively worse, but gender inequality is even more entrenched in India (25%) and the USA and U.K. (24%). This is especially alarming since Hollywood is the biggest exporter of films globally and they are clearly leading in the wrong direction.

Only 28 films in the sample (23%) feature a woman or girl in the lead role or otherwise sharing the story with another main character. The study also considers the gender balance of film casts (where 45 to 55% of characters are women or girls). Only 12 films met this criteria (10%). When women characters are featured in the main storyline, they appear in highly femininised genres. For example: women feature in 33% of comedy roles; 34% of dramas; and 29% of animated movies, but they make up only made up 23% of characters in action/adventure films.

The study included 1,452 film makers and people working in key roles behind the scenes. Women make up only 7% of directors, less than 20% of writers, and 23% of producers. The UK (27%) and China (17%) are comparably better, while France, Japan, Korea, Russia, and the USA are below the industry average of 7%.

Around 60% of younger characters (children and teenagers) are boys while 40% are girls. While 34% of men are cast as characters aged 40 to 64 years of age, only 19% of women are depicted as middle aged characters. The researchers find this is especially problematic given that the younger women who do appear in films are highly sexualised.

Women are more than twice as likely to wear sexually revealing clothing (25% of women vs 9% of men). Women are more likely to be thin (38.5%) in comparison to men (16%). Women are also more likely to be partially or fully naked (24% women vs 11.5% of men). Women characters are also five times more likely to have their looks commented upon by others (13% vs less than 3%). Younger women are more likely to wear revealing clothing, but women across the ages of 13 to 39 years are equally likely to be sexualised.

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The Sociology of Why People Don’t Believe Science

My post will discuss the sociology of beliefs, values and attitudes to describe the cultural, institutional and historical ways in which the public has engaged with science. I present two case studies of “hot topics” that usually draw anti-science comments. I show how cultural beliefs about trust and risk influence the extent to which people accept scientific evidence. I go on to discuss how sociology can help improve public science outreach.

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The Wrap Up: Media Coverage of the 10th Anniversary of the September 11 Attacks

Image Credit: 9/11Memorial.org

This is the third and final post in a series covering the lead up to the 10th anniversary of the September 11 attacks. This one focuses on news coverage; technology and social media issues; and media discourses about the so-called ‘Decade 9/11’ and ‘Gen 9/11’.

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